Here are some of my recent works in Digital Abstraction. Click image to view larger version.
Digital Abstraction is not a new art form I have just created the name to classify art completely generated in non-physical form and space. Artwork that has never existed as a completed work in any form other than digital and which is abstract in its representation of the subject matter.
The genesis of Digital Abstraction came from an analysis of modernity and the concept that all of our most important information, in every medium, is currently stored and transmitted as pieces of digital information. To address the ever widening gap between our persons and our personal information I developed the concept of Digital Abstraction.
If you are interested in using my work for commercial or non-commercial purposes contact me dan@mascarimedia.com
cc some rights reserved
Sunspots
cosine massacre
Rasta wing
Saturday, May 23, 2009
Digital Abstraction - pt 2
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art,
dan mascari,
Digital Abstraction
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2 comments:
I just finished reading Count Zero by William Gibson. While reading Gibson's expansive and layered descriptions of the "matrix", it occurred to me that expressing 3-dimentional space with text must be extremely difficult. However, I believe expressing 3-dimentional space in a 2-dimentional format may be more problematic than text. In fact, I think the real challenge isn’t just expressing 3D space in a 2D format, but rather expressing 4D space in a 2D format. That is, somehow attaching time to the expression. There are certain stylistic elements that are in the zeitgeist, such as motion blur, etc. that convey movement but not necessarily density of time or space. I wonder what the implications are for artists, data miners, scientists, it specialists, futurists, and dreamers. Perhaps a standard lexicon is needed to properly understand a thing that has no physical form.
Great question. How do you express time in abstract 2-d art. The old masters use expressions or the moment to explore time. The audience must therefore infer time from the apparent state of the setting or subject.
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